THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the bottom. He might be ashamed to parade his goodness. He makes use of ingenuity rather than divinity. Chaplin’s untidy adore existence indicates he felt he deserved whomever he preferred; Keaton in personal life appears to happen to be melancholic due to alcoholism, but an honest more than enough type

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